Handel: El Mesías HWV 56

Bach Collegium San Diego, Ruben Valenzuela
Release Date: December 11, 2026

BCSD's El Mesías reflects the oratorio's malleable performance history dating back to Handel. Following the initial Dublin version of 1742, Handel never ceased working on it, constantly tailoring the score to suit the circumstances and singers available to him. Thus, Handel’s original autograph may be regarded as an abstract for a work that continues to evolve each time it is performed. In this spirit, we offer this Messiah as a gift for whom Spanish is a first language, and also an opportunity to discover this work in a new light and perspective.

About The Artists


Bach Collegium San Diego was founded by Artistic Director Ruben Valenzuela in 2003 to bring dynamic programming and performances with historical considerations to performance practice. Over the last 20 seasons, BCSD has garnered national and international recognition through its exemplary talent, making it one of the most distinguished early music ensembles in the country today. In 2021, the ensemble gained national attention through its El Mesías: Messiah for a New World project, which commissioned an original Spanish libretto of Handel’s oratorio. BCSD will make its European debut at Bachfest in Leipzig, Germany in June 2024, and will also perform at other Bach sites in the German state of Thuringia.

Ruben Valenzuela is the Founder and Artistic Director of Bach Collegium San Diego (BCSD). As a conductor and keyboardist he has led BCSD in notable performances of music of the Renaissance, early and high Baroque, early Classical period, as well as music of the twentieth century. Valenzuela's performances have been described as ‘dramatic’ and ‘vibrant’ and ‘able to unlock the true power of Baroque music’ (SanDiegoStory.com). Under Valenzuela’s leadership, BCSD has achieved international acclaim through virtuosic performances of iconic repertoire, in addition to lesser-known works. Valenzuela and BCSD were the recipients of Early Music America's 2023 Laurette Goldberg Award for achievement in early music engagement. Additionally, Valenzuela was awarded the 2020 Louis Botto Award for Innovative Action and Entrepreneurial Zeal by Chorus America. ​

With BCSD he has toured to the Festival Internacional del Órgano Barroco in Mexico City, and to the Festival Internacional de Música Renacentista y Barroca Misiones de Chiquito in Bolivia. Recently, he led BCSD and the Pauliner Barockensemble in a noteworthy performance at Bachfest 2024 (Leipzig Germany), with additional performances in Arnstadt and Naumburg. Valenzuela is regularly called upon as a guest director and keyboardist. Notable guest engagements include Bach Vespers at Holy Trinity, New York City, Marsh Chapel Choir and Collegium at Boston University, Bach at Emmanuel Church, Boston, Juilliard415 at Lincoln Center, New York City, Washington Bach Consort, Westminster Choir College with the Orchestra of St. Luke's, and Seraphic Fire. Upcoming engagements include Handel+Haydn Society, Philharmonia Baroque, Bach Vespers at Holy Trinity, New York City, and the Academia de Música Antigua (UNAM), Mexico City. ​

Valenzuela's musical interests are wide ranging to include a lifelong interest in Jamaican popular music of the late 1950s and 1960s, and in particular Blue Beat (Jamaican R&B), Ska, Rocksteady, and early Reggay. He is member of the Kingston Beat All-Stars, a Los Angeles based band which performs the music of Jamaica's musical golden age. Valenzuela holds a PhD in Musicology from Claremont Graduate University.​

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TRACK LIST

George Frideric Handel, Mario Montenegro El Mesías, HWV 56

Part I, No. 1. Sinfonía
Part I, No. 2. Consolad a mi pueblo
Part I, No. 3. Cada valle será elevado
Part I, No. 4. Y la gloria de Dios
Part I, No. 5. Dice el Señor
Part I, No. 6. Mas ¿quién resistir podrá su llegada?
Part I, No. 7. Él purificará
Part I, Recitativo: Mirad, la Virgen dará a luz
Part I, No. 8. Oh tú que anuncias las nuevas a Sión
Part I, No. 9. He aquí, noches oscuras vendrán
Part I, No. 10. El pueblo que estaba en tinieblas
Part I, No. 11. Entre nosotros nace un Dios
Part I, No. 12. Sinfonía pastoral
Part I, Recitativo: Y había pastores esa noche
Part I, No. 13. Y he aquí que un ángel del Señor
Part I, Recitativo: Pero el ángel les dice así
Part I, No. 14. Y en multitud, al lado del ángel
Part I, No. 15. Gloria a Dios
Part I, No. 16. Cantad alegres
Part I, Recitativo: Y de los ciegos se abrirán los ojos
Part I, No. 17. Vendrá Él a cuidar su rebaño
Part I, No. 18. Su yugo es suave

Part II, No. 19. He aquí el Salvador
Part II, No. 20. Él fue humillado
Part II, No. 21. Fue así: lo hicimos sufrir
Part II, No. 22. Y en su dolor sanamos
Part II, No. 23. Mas el Señor nos congregó
Part II, No. 24. Recitativo Acompañado: Los que lo miran se ríen de Él
Part II, No. 25. Él piensa que Dios vendrá a liberarlo
Part II, No. 26. Recitativo Acompañado: El dolor le abrió el corazón
Part II, No. 27. Mirad, decid
Part II, No. 28. Recitativo Acompañado: Se le negó permanecer en su tierra
Part II, No. 29. Mas no dejarás su alma sufrir
Part II, No. 30. Puertas, abrid
Part II, Recitativo: Pero ¿a cuál de sus ángeles?
Part II, No. 31. Que todo ángel de Dios lo adore
Part II, No. 32. Asciendes a lo alto
Part II, No. 33. Y Dios nos habló
Part II, No. 34a. Qué hermosos son esos pies
Part II, No. 36. ¿Por qué los pueblos furiosos van conspirando?
Part II, No. 37. Destrozad al fin sus leyes
Part II, Recitativo: Él que mora en los cielos
Part II, No. 38. Destrozados con puño de hierro
Part II, No. 39. Coro ¡Aleluya!

Part III, No. 40. Yo sé que mi Redentor vive
Part III, No. 41. Por Adán morimos
Part III, No. 42. Recitativo Acompañado: Oíd, os digo un misterio
Part III, No. 43. Trompeta, anunciad
Part III, Recitativo: Y se podrá cumplir la orden
Part III, No. 44. ¡Morir, morir! no, ya no es el fin
Part III, No. 45. Honrad y dad gracias a Dios
Part III, No. 46. Si Dios nos protege
Part III, No. 47. Gloria al Cordero de Dios